
In the late fifties, Martin kept Parlophone in the black with novelty and comic dialogue records, featuring artists including the Goons and Peter Sellers. When the sixties and rock and roll arrived, EMI's other important label, Columbia, had big rock and roll hits with Cliff Richard and the Shadows. It was most likely with finding a group like that in mind when George Martin consented to that first meeting with Brian Epstein and his demo tape of the Beatles.

At first, as producer the boys would play the numbers for them and he would make suggestions before they recorded. The first song of many he actually orchestrated for them was Yesterday.
Unhappy with his salary at EMI, he broke away and formed his own production company called AIR (Associated Independant Recording) in 1964. Also moving to AIR to produce were Ron Richards, John Burgess and Peter Sullivan. The Beatles, although under contract to make records for EMI, continued to be produced by George Martin at AIR.

George Martin wrote the orchestral scores for the Beatles movies A Hard Days Night and Yellow Submarine, and also The Family Way and Live and Let Die which Paul contributed songs to. He also produced the music for Robert Stigwood's movie Sgt. Pepper's Lonely Hearts Club Band.
No comments:
Post a Comment